I work in film sound across feature films, short films, television pilots, and documentary projects. My work spans sound design, dialogue editing, supervising sound editing, composition, and post-production, with credits on award-winning films screened internationally.
I collaborate closely with directors and producers to support story, performance, and tone — ensuring sound serves the narrative rather than drawing attention to itself.
My work has been recognised at international film festivals across feature films, shorts, television pilots, and documentary projects. These awards reflect collaborative filmmaking efforts and long-form post-production work across a range of genres and formats.
A full list of credits and roles can be found on IMDb →
My background spans both sound and production roles, which informs how I approach film post-production. I understand the creative, logistical, and narrative pressures that exist across the full production pipeline.
Whether working as a sound designer, supervising sound editor, or composer, my focus is always narrative clarity. Sound is used to reinforce story beats, emotional pacing, and performance without overwhelming the frame or distracting from the film's intent.
I'm comfortable working independently on smaller projects or integrating into larger post-production teams on feature-scale productions, depending on the needs of the project.
